Sit in a live with Humayun Saeed and Adnan Siddiqui together and you’ll frequently think that its difficult to wedge a word in. The discussion is free-streaming, ricocheting between significant issues to wild accounts, sprinkled with noisy episodes of chuckling.
There are such countless common associates that they continue to allude to thus numerous recollections that they share, through the periods of Pakistani TV history, as legends who have matched each other for jobs and companions who have co-featured in different significant hits.
Truth be told, while talking with them, there were times when I would even truly not like to pitch questions, essentially getting a charge out of the science between two of Pakistan’s greatest hotshots.
Having talked with Humayun and Adnan independently commonly previously, I’m all around receptive to their expert dreams and individual quirks. Yet, conversing with the two of them, together, is a first. Our gathering has been coordinated with the aim of examining the two stars’ endeavors in attempting to solidify Pakistan’s first cooperation with Turkey’s Tekdin Films, one of the makers behind the enormously mainstream Dirilis: Ertugrul arrangement.
Everything considered, however, I can’t help thinking about why this task must be the stimulus for a joint story on the two. Humayun and Adnan’s common history and riveting repartee ought to have been reason enough for a meeting even before the joint effort with Turkey went along.
Together, they carry with them an abundance of mastery and